PRESENT PAST PAST PARTICIPE MEANING
Become Became Become Llegar a hacer
Begin Began Begun Comenzar
Bend Bent Bent Doblar
Bet Bet/Better Bet Apostar
Bite Bit Biten Morder
Bleed Bled Bled Sangrar
Blow Blew Blonw Soplar
Break Broke Broken Quebrar
Breed Bred Bred Reproducir
Bring Brought Brought Traer
Build Built Built Construir
Burn Burn/Burned Burn/Burned Quemar
Buy Bought Bought Comprar
Cast Cast Cast Arrojar
Catch Caught Caught Coger/ Atrapar
Choose Chose Chosen Escoger
Come Came Come Venir
Cost Cost Cost Costar
Creep Crept Crept Gatear
Cut Cut Cut Cortar
Dig Dug Dug Cavar
Dive Dived Dived Bucear
Do Did Done Hacer
Draw Drew Drawn Dibujar
Dream Dreamed Dreamed Soñar
Drink Drank Drunk Beber
Eat Ate Eaten Comer
Fall Fell Fallen Caer
Feed Fed Fed Alimentar
Feel Felt Felt Sentir
Fight Fought Fought Pelear
Find Found Found Encontrar
Fit Fit Fit Colocar
Fling Flung Flung Arrojar /Echar
Fly Flew flown Volar
Forbid Forbade Forbidden Prohibir
Forget Forgot Forgotten Olvidar
Forego Forewent Foregone Procceder-Adelantar
Forgive Forgave Forgiven Perdonar
Forsake Forsook Forsaken Desamparar
Forete foretold foretold Pronosticar
freeze Froze Frozen Congelar
get got gotten Obtener
Give Gave Given Dar
Go Went Gone Ir
Grow Grew Grown Crecer
Hang Hung Hung Colgar
Have Had Had Tener
Hear Heard Heard Escuchar
Hide Hid Hidden Esconder
Hit Hit Hit Pegar
hold held held Sujetar
Hurt Hurt Hurt Herir
Keep Kept Kept Guardar
Kneel Knelt Knelt Arrodillarse
Know Knew Known Saber- Conocer
Lay Laid Laid Acostar
Lead Led Led Guiar
Learn Learn/Learned Learn/Learned Apoyar
Leave Left Left Dejar
Lend Lent Lent Prestar
Let Let Let Permitir
Lie Lay Lain Mentir
Light Lighted Lighted Encender
Lose Lost Lost Perder
Make Made Made Hecho
Mean Meant Meant Significar
Meet met met Encontrar- Conocer
Elaborado por : Aura Hernandez Curso: 9a Codigo: 14
The seven wonders of the world
lunes, 6 de septiembre de 2010
sábado, 28 de agosto de 2010
LIGHTHOUSE OF ALEXANDRIA
Pharos was a small island just off the coast of Alexandria, which was connected to the mainland by a man-made causeway named the Heptastadion, which formed on side of the city´sharbor. The tower erected on the island guided mariners at night using fire and reflective mirrors, and acted as a landmark by day. It was said that the light could seen from up to 29 miles away, and legends claim that he light from Pharos could burn enemy ships before they reched shore.
DESCRIPTION:
Constructed from large blocks of light-coloured stone, the tower was made up of three stages: a lower square section with a central core, a middle octogonal section,and, at he top, a circular section. At its apex was positioned a mirror which reflected sunlight during the day; a fire was lit at night. Extant Roman coins struck by the Alexandrian mint show that a statue of a triton was positioned on each of the building´s four corners. A statue of Poseidon, stood atop the tower during the Roman period. The Pharo´s masonry blocks were interlocked, sealed together using molten lead, to whitstand the pounding of the waves.
COLOSSUS OF RHODES
POSTURE: The harbor-straddling Colossus was a figment of medieval imaginations based on the dedication text´s mention of "over land and sea" twicw. Many older illustrations show the statue with one foot on either side of the harbor mouth with ships passing under it "... the brazen giant of Greek fame, with conquering limbs astride from land to land", a poem engraved on a bronze plaque and mounted inside the statue of Liberty in 1903.
LOCATION OF THE RUINS:
Media reports in 1989 initially suggested that large stones found on the seabed off the coas tof Rhodes might have been the remains of the Colossus ; however this teory was later shown to be without merit.
REBUILDING:
There has been much debate as to whether to rebuild the Colossus. Those in favor say it would boost tourism in Rhodes greatly, but those against construction say it would cost too large an amount (over 100 million euro). This idea has been revived many times since it was first proposed in 1970 but, due to lack of funding, work has not yet started.
miércoles, 25 de agosto de 2010
MAUSOLEUM OF MAUSSOLLOS AT HALICARNASSUS
The mausoleum at Halicarnassus or Tomb of Mausolus, was a tomb built between 353 and 350 BC.It stood approximately 45m in height, and each of the four sides was adorned with scuptural relifies created by each one of four Greek sculptors.The word mausoleum has since come to be used generically for any grand tomb.
HALICARNASUS: Mausolus decided to build a new capital; a city as safe from capture as it was magnificent to be seen. He chose the city of Halicarnasus. If Mausolus ships blocked a small channel, they could keep all enemy warships out.
CONSTRUCTION: The tomb was erected on a hill overlooking the city. The whole structure sat in an enclosed courtyard.At the center of the courtyard was a stone plataform on which the tomb sat.A stairway flanked by stone lions led to the top of the platform, which bore slong its outer walls many satatues of gods and goddess
TEMPLE OF ARTEMIS AT EPHESUS
The temple of artemis, also known less precisely as Temple of Diana, was a Greek Temple dedicated to a goddess Greks identified as Artemis that was completed, in its most famous phase, around 550 BC at Ephesus. Though the monument was one of the Seven Wonders of The Ancient World, only foundations and sculptural fragments of the temple remain. There were previous temples on its site, where evidenceof a sanctuary dates as early as the Bronze Age. The whole temple was made of marble except for the roof.
The temple antedated the lonic inmigration by many years.The Temple of Artemis was located near the ancient city of Izmir, in Turkey. Today the site lies on the edge of the modern town.
ARCHITECTURE AND ART:
Most of the physical description and art within the Temple of Artemis comes from Pliny though three are different accounts, and the actual size varies.Pliny describes the tempe as 377 feet long and 180 feet wide, made almost entirely of marble, making its area about three times as large as the Parthenon.
STATUE OF ZEUS AT OLYMPIA
The statue of Zeus at Olympia was made by the Greek sculptor Phidias, circa 432 BC on the site where it ewas erected in the Temple of Zeus, Olympia, Greece. The seated statue, some 12 meters tall, occupied the whole width of the aisle of the temple built to house it. The sculpture was wreathed with shoots of olive worked in gold and seated on a magnificent throne of cedarwood.
The date of the statue, in the third quarter of the fifth century BC, long a subject of debate, was confirmed archaeologically by the rediscovery and excavation of Phidias workshop. The sculptor also was reputed to have inmortalised his eromenos, Pantarkes, by carving " Pantarkes Kalos", into the god´s little finger, and placing a relief of the boy crowning himself at the feet of the statue.
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